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Please note, we are showing standard entry requirements on this page. Clearing entry requirements are subject to change. The points will only be confirmed once you call the Clearing Hotline.

Ready to discover the power of literature?

As our world hurtles from political upheaval to medical and climate emergencies, our English Literature degree helps you understand the stories that underpin our contemporary crises.

From society and race in classics like Shakespeare or Austen to modern American culture, and from twenty-first century gothic to love and criminality in the eighteenth century, our literature degree is relevant, vibrant, and inspiring. Through our innovative assignments and our close work with cultural partners, you'll learn how to apply the skills learned in literary study in the world beyond the university.

What stories will you learn to tell in our changing world?

How does Northumbria’s English Literature course help with employability?

Studying Literature at Northumbria lets you bring together your passion for human stories while making practical steps into your future career.

You will engage with the heritage industry in a unique module designed with a major regional gallery. And we introduce you to the world of publishing and book-making, potentially leading to our unique MA in Publishing with partners Hachette and New Writing North.

Meanwhile, for those looking to inspire the next generation of literature lovers, you can opt to begin your teaching experience with a module focused on learning how to be a tutor of students inschools or colleges.

Northumbria’s English Literature learning experience

Your voice is vital in our seminar groups and small discussions. We bring students together to read and talk about texts and stories from day one. We introduce you to themes of huge relevance today, such as gender and equality, or the power of poetry to capture a cultural moment or a new social obsession. All your work leads up to your major project, a dissertation where you make your own mark in the world of literary studies.

Students will also have the option to extend their studies, either taking a placement year in industry or opting to study abroad in the likes of mainland Europe or North America. 

 

Why choose Northumbria to study English Literature?


The uniqueness of our Literature degree lies in how it brings together the study of stories and how we tell them across hundreds of years, with a contemporary focus on your career, helping you take your cultural understanding into the twenty-first century world of work.

 

  • Student Rated: 100% of Students studying English Literature at Northumbria believed their course positively challenged them to achieve their best work (NSS, 2024).
  • Research Power: English at Northumbria is ranked 21st for research power in the UK, out of 92 institutions (REF, 2021). This is a rise of 5 places since 2014.

See other similar courses you may be interested in: English Literature and Creative Writing or discover all of our English Courses to find the one that suits you.

Course Information

UCAS Code
Q320

Level of Study
Undergraduate

Mode of Study
3 years Full Time or 4 years with a placement (sandwich)/study abroad

Department
Humanities

Location
City Campus, Northumbria University

City
Newcastle

Start
September 2025

Fees
Fee Information

Modules
Module Information

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Department Videos / Humanities

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Department / Humanities

Our Department of Humanities includes the subject areas of History, English Literature, English Language and Linguistics, Creative Writing and American Studies.

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Entry Requirements 2025/26

Standard Entry

112 UCAS Tariff points

From a combination of acceptable Level 3 qualifications which may include: A-level, T Level, BTEC Diplomas/Extended Diplomas, Scottish and Irish Highers, Access to HE Diplomas, or the International Baccalaureate.

Find out how many points your qualifications are worth by using the UCAS Tariff calculator: www.ucas.com/ucas/tariff-calculator

Northumbria University is committed to supporting all individuals to achieve their ambitions. We have a range of schemes and alternative offers to make sure as many individuals as possible are given an opportunity to study at our University regardless of personal circumstances or background. To find out more, review our Northumbria Entry Requirement Essential Information page for further details www.northumbria.ac.uk/entryrequirementsinfo

Subject Requirements:

There are no specific subject requirements for this course.

GCSE Requirements:

Applicants will need Maths and English Language at minimum grade 4/C, or an equivalent.

Additional Requirements:

There are no additional requirements for this course.

International Qualifications:

We welcome applicants with a range of qualifications which may not match those shown above.

If you have qualifications from outside the UK, find out what you need by visiting www.northumbria.ac.uk/yourcountry

English Language Requirements:

International applicants should have a minimum overall IELTS (Academic) score of 6.0 with 5.5 in each component (or an approved equivalent*).

*The university accepts a large number of UK and International Qualifications in place of IELTS. You can find details of acceptable tests and the required grades in our English Language section: www.northumbria.ac.uk/englishqualifications

Fees and Funding 2025/26 Entry

UK Fee in Year 1: £9,535

* The maximum tuition fee that we are permitted to charge for UK students is set by government. Tuition fees may increase in each subsequent academic year of your course, these are subject to government regulations and in line with inflation.


International Fee in Year 1: £19,350


Please see the main Funding Pages for 25/26 scholarship information.

 


ADDITIONAL COSTS

As the degree programme involves reading and analysing literary and critical articles, students are expected to purchase or print copies of primary materials (novels, collections of poetry, plays, etc.) for their own personal use in seminars to allow for annotation and close engagement, in seminars and individual study. The combined cost of purchasing and/or printing primary texts is approximately £100 per year, though this figure depends on editions purchased and can be reduced significantly by using the library, accessing e-books, purchasing secondhand, and locating articles electronically where possible and appropriate. If students were to take the Student Tutoring option in their second year they would have to pay for their own travel costs to and from placements.

If you’d like to receive the latest updates from Northumbria about our courses, events, finance & funding then enter your details below.

* At Northumbria we are strongly committed to protecting the privacy of personal data. To view the University’s Privacy Notice please click here

Modules

Module information is indicative and is reviewed annually therefore may be subject to change. Applicants will be informed if there are any changes.

EL4001 -

Introduction to Literary Studies (Core,20 Credits)

You will be given the opportunity to familiarise yourself with conceptual issues such as canonicity, the unconscious, the tragic, the nature of the author, gender and postmodernity. Lectures will introduce you to these concepts and modes of applying these to literary texts as well as introducing you to new material in the texts themselves. Seminars will follow the lectures, where you will discuss and explore with your tutor and with your fellow students both the texts and their historical and theoretical contexts.

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EL4003 -

Representing the US: From Slavery to Terrorism (Core,20 Credits)

This module focusses on US literature, film and television and it asks you to think about US culture at large; it will introduce you to a range of significant US texts from the nineteenth century to the present. You will make connections between diverse texts ranging from writings of slaves in the nineteenth century to fiction that responds to the trauma of the 9/11 terrorist attacks. You will enjoy US literature, film and television across a range of periods – work from the nineteenth, twentieth and twenty-first centuries will be covered – and you will examine fiction, poetry, drama, film, and television in relation to the idea of a national literary canon and in the context of social and political change, from the Civil War to the War on Terror. As a survey module, it encourages you to examine how key works engage with questions of identity, slavery, the American Dream, trauma, freedom, and national security.

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EL4004 -

Reading Poetry (Core,20 Credits)

This module encourages you to read and enjoy poetry whilst also developing your understanding of how figurative language, linguistic choice and formal technique work to produce the meanings that we derive from poetry. The module is structured to help you develop competence in close reading of literary texts and to increase your familiarity with the critical vocabulary that will enable you to discuss and analyse poetic language in an informed manner. You will also be encouraged to increase your awareness of the diverse nature of poetic composition and to recognise the importance of genre, context and form in the reading of poetic language. Working on the principle that close reading is an essential part of critical analysis of any text, the module provides a foundation for all subsequent elements of your studies in English Literature. Moreover, because these skills in understanding poetry are an essential first step in creating it, the module seeks to foster an understanding of the creative process that will improve your familiarity with poetic technique and thus help to develop your creative skills. The module elides the gap between the creative and critical spheres and in so doing enrich both.

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EL4006 -

Concepts in Criticism and Culture (Core,20 Credits)

This module introduces you to literary studies at university, past and present. You will learn how the formation of (English) Literature as a degree subject played into approaches to the study of literature from the early twentieth century, and still influence popular understandings of what it is we (lecturers and students) really do when we ‘study literature’. Early discussions will include case studies to help explain some of the debates about the nature of literary studies. We will then work with a text that has been labelled as ‘canonical’ (e.g. Shakespeare’s Hamlet) to critique the concept of canonicity and ask what it is we do when we go ‘beyond the basics’ of textual engagement. That text will then become the central point of reference across the rest of the module, as we investigate different theoretical and critical approaches.

During the module you will be asked to read a range of critical essays, discussing them in individually and in relation to each other. The module aims to foster your skills in close textual analysis, informed by key theoretical perspectives and independent reflective practice.

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EL4016 -

Talking Texts (Core,20 Credits)

This module offers students a forum to develop academic skills in close reading and analysis. A range of texts are examined within a reading-focussed workshop, including: the novel, short stories, poetry, plays, journalism, academic essays and online media such as blogs and flash fiction. Students are exposed to a range of writing in order to consider and develop their own reading practices. The discursive workshops develop speaking, listening, and critical skills through participation in classroom activities. The module prepares students for work at degree level, encouraging them to become independent learners in a supportive environment.

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EL4017 -

Gothic Stories: Nineteenth Century to the Present (Core,20 Credits)

In this module you will be given the opportunity to study a range of gothic texts from the nineteenth century to the contemporary period. This will provide you with the opportunity to explore the conventions of the genre as well as some of the ways in which gothic writing reflects and/or questions assumptions about race, gender, social class and sexuality. You will learn about the cultural significance of many familiar gothic motifs and figures such as ghosts, uncanny doubles, haunted houses and vampires.

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YC5001 -

Academic Language Skills for Humanities and Social Sciences (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

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AD5012 -

Humanities Study Abroad (40 credit) (Optional,40 Credits)

The Study Abroad module is a semester based 40 credit module which is available on degree courses which facilitate study abroad within the programme. You will undertake a semester of study abroadat an approved partner University elsewhere. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be constructed to meet the learning outcomes for the programme for the semester in question, dependent on suitable modules from the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). The module will be assessed by conversion of graded marks from the host University.

Learning outcomes on the year-long modules on which the student is unable to attend the home institution must be met at the host institution, and marks from the host are incorporated into the modules as part of the overall assessment.

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EL5003 -

Early Modern Cultures (Core,20 Credits)

On this module you will learn to read texts written in the period 1500-1700 historically. Lectures and seminars will encourage you to learn about the early modern period, and to situate texts by authors such as William Shakespeare, Christopher Marlowe, Thomas More, and Philip Sidney. You will learn about poetry, prose, and drama – situating literary genres from the period in relation to themes that include: class, race, sexuality, politics, authority, gender, and ideas of literary production itself. Lectures will trace the afterlives of some of the most influential texts ever written, and will encourage you to read these textual traditions in light of a range of western literary ideologies.

Building upon work completed at Level 4 on early modern authors like Shakespeare and Donne, this module offers students a more comprehensive survey of the early modern period. Encouraging students to read literature historically, Early Modern Cultures fosters key skills in tutor-led and independent reading and research that will complement a range of studies at level 6.

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EL5004 -

Modernism and Modernity (Core,20 Credits)

Through this module you will gain an understanding of the relation between literary modernism and modernity in the early part of the twentieth century. The module provides you with conceptual and historical frameworks for understanding the relation between art and social life. It gives you an opportunity to engage with the ways in which different literary genres prompted modernist experiments in form and with the various debates taking place between literary critics, writers, philosophers and cultural historians in early-twentieth-century Britain and the USA.

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EL5005 -

Geneses of English Literature (Optional,20 Credits)

What are the mythological frameworks of western culture, and how have they influenced and informed literary texts? This module will introduce you to poems, plays, and novels which adapt classical and biblical narratives – including mythologies of ‘genesis’ (Eden, Troy), ‘metamorphosis’ (Actaeon, Christ), and ‘underworlds’ (Orpheus and Eurydice, Satan) – unpacking and analysing some of the most central narratives of British and American literature. Using cultural theory relevant to appropriation studies, you will learn how to locate and analyse classical and biblical narratives in literary texts in meaningful ways. Reading beyond literature, you will also learn about how these narratives are employed in popular music, film, television, advertising, and wider popular cultures.

Building upon work completed at Level 4 in narrative and appropriation studies on modules such as EL4006 ‘Concepts in Criticism and Culture’, this module offers you a more focused and in depth opportunity to read core narrative and mythology ‘types’ in a range of twentieth and twenty-first century texts. The module fosters key skills in textual analysis, and your tutor-led and independent reading and research tasks will supplement and support learning at Level 6.

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EL5006 -

Poetry: Tradition and Experiment (Optional,20 Credits)

In this module you will focus on key moments in the development of poetic theory and practice, from the early modern period to the present day. In this module you will examine poems as sites at which tradition and experiment collide and intertwine. Through the close analysis of a small number of individual poems by ground-breaking poets, you will develop your understanding of the dynamic relationship between poetic form and content. In doing so, you will reflect upon and interrogate the complex ways in which poetic texts engage with, and intervene in, broader cultural debates about nation, class, race, and gender. You will consider how the evolution of poetry and poetics coalesces with questions of aesthetics and ideology.

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EL5007 -

Literature and Identity (Optional,20 Credits)

On this module you will explore the concept of identity in relation to literary texts across a range of periods and genres and in relation to contemporary debates around identity politics and the so-called culture wars. The module will address the relationship between identity and literary representation, drawing on approaches that might include intersectionality, narrative theory and gender studies. You will be encouraged to consider how literary texts participate in the representation and production of gendered, racial, national, sexual, post-colonial and other identities and their discussion and perception in the public sphere, from the classroom to the media. The module will extend your understanding of to the links between literary texts and real-world cultural, social and political debates, preparing you for the study of contemporary literature modules at Level 6.

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EL5010 -

Historical Fiction (Optional,20 Credits)

What is historical fiction? When and why did historical fiction begin to be written? How have later writers of historical fiction built on or surpassed early forms of historical fiction? What did or does historical fiction tell us about the world we live in? This module addresses these questions, with a survey of historical fiction from its origins in the 19th century to its varied forms in the 21st century. You will learn to contextualise each historical novel in relation to the conflicts and strains of the period in which it was made and consumed, while also thinking about the relations between writing, gender, religion, and politics, issues of literary influence, and the function of art in times of crisis, past and present.

Building on your work correlating the historical novel and short story at Level 4 (Wide Sargasso Sea by Jean Rhys and ‘The Love of a Good Woman’ by Alice Munro), and prefiguring your extended writing work for the dissertation and on Level 6 modules, this module will develop your understanding of historical fiction as a literary genre. This will involve looking at its origins with Walter Scott’s 12th Century Medieval Romance and Folklore and then moving to the Tudors, the French Revolution, the Victorian Era and the Black British history after the Second World War. You will be examining close links between fictional re-imaginings of the past and issues surrounding changing national identities and popular memory. Finally you will be exploring the relationship between the historical novel and a range of other subgenres such as fantasy, social realism, postmodernism, romance, psychoanalysis, the Gothic, biography, spiritualism, detective fiction and postcolonialism.

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EL5026 -

Literary Revolutions, Eighteenth Century to Romanticism (Core,20 Credits)

In this module you will study a range of texts from the eighteenth century to the Romantic period. The module considers a period in which literature and culture witnessed a succession of revolutionary changes. The novel emerged as a new form; female writers and readers took on a new prominence; the print market expanded enormously; and writers responded to the seismic changes in society caused by a period of war, imperial expansion, and political and social revolution. You will study a diverse and unusual range of texts that emerged from this period, and learn how to link the texts to the period’s context.

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EL5029 -

Literature in the Museum: Working in the Heritage Sector (Optional,20 Credits)

This module aims to broaden your awareness of the professional opportunities in the Arts and Heritage sectors open to those with a degree in English literature, drawing upon departmental expertise in working within the professional cultural and heritage sectors. The module will provide a solid grounding in the interdisciplinary nature of literary studies, and instruct you in the practical application of literary knowledge in a professional environment. It will teach key organisational skills involved in managing a project which you will be able to draw on in writing your third-year dissertation. Over the course of the academic year you will be introduced to key theoretical ideas involved in working on literature-related projects in the culture and heritage sectors; the relationship between literature & the visual arts, literature & place/heritage sites and literature & archives/collections/digital resources.

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ML5001 -

Unilang - Languages for all - Level 5 Placeholder (Optional,20 Credits)

The 20-credit yearlong Unilang modules (stages 1 – 5 depending on language) aim to encourage a positive attitude to language learning and to develop and practise the four language skills of speaking, listening, reading and writing introducing the basic/increasingly complex grammatical structures and vocabulary of the spoken and written language (depending on stage) and developing your ability to respond appropriately in the foreign language in spoken and written form in simple and increasingly complex everyday situations.

These modules also introduce you to the country and the culture of the country. In doing this, Unilang modules are intended to encourage and support international mobility; to enhance employability at home and abroad; to improve communication skills in the foreign language as well as English; to improve cultural awareness and, at the higher stages, to encourage access to foreign sources.

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TE5507 -

Student Tutoring (Optional,20 Credits)

You will learn how to be a tutor of students in schools or colleges. You will develop your skills in communicating effectively with children or young people. As part of this process you will learn how to evaluate your own learning of how to support these pupils’ learning over a series of lessons. You will be learning how to transmit your own enthusiasm for learning in a professional context to pupils within the schooling system. You will learn about the issues facing teachers and other professionals within the school, college or learning centre. Learning how to apply your existing skills and knowledge in a work related context will be an important focus of this module for you. Knowing how to determine which skills and knowledge are relevant, and make appropriate use of these in the work context, will be a major learning opportunity for you.

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AD5009 -

Humanities Work Placement Year (Optional,120 Credits)

The Work Placement Year module is a 120 credit year-long module available on degree courses which include a work placement year, taken as an additional year of study at level 5 and before level 6 (the length of the placement(s) will be determined by your programme but it can be no less than 30 weeks. You will undertake a guided work placement at a host organisation. This is a Pass/Fail module and so does not contribute to classification. When taken and passed, however, the Placement Year is recognised in your transcript as a 120 credit Work Placement Module and on your degree certificate in the format – “Degree title (with Work Placement Year)”. The learning and teaching on your placement will be recorded in the work placement agreement signed by the placement provider, the student, and the University.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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AD5010 -

Humanities Study Abroad Year (Optional,120 Credits)

The Study Abroad Year module is a full year 120 credit module which is available on degree courses which include a study abroad year which is taken as an additional year of study at level 5 and before level 6. You will undertake a year abroad at a partner university equivalent to 120 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be dependent on the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). Your study abroad year will be assessed on a pass/fail basis. It will not count towards your final degree classification but, if you pass, it is recognised in your transcript as a 120 credit Study Abroad Module and on your degree certificate in the format – “Degree title (with Study Abroad Year)”.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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EL6001 -

English Dissertation (Core,40 Credits)

In your third year you will be ready to become an independent thinker and researcher. The dissertation is your opportunity to research and write a substantial investigation of a topic that you are really passionate about. Your tutors will support you as you learn how to work independently and to manage a large project. You will also learn project-management, research, presentation and writing skills. You will learn to be self-motivated and independent. By the end of the module you will have produced a major piece of work that you can be proud of, and you will be ready to continue as an independent thinker in further study or in the graduate job you go on to at the end of your third year.

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EL6004 -

Vamps and Virgins: Gothic Sexualities (Optional,20 Credits)

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

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EL6018 -

The Black Atlantic: Literature, Slavery and Race (Optional,20 Credits)

This module will introduce you to a range of texts which have been created out of, or about, the experience of African peoples in the diaspora from the seventeenth century to the present. It will encourage you to relate your understanding of the texts to the cultural and historical background from which they developed. Following on from level four core modules this module will develop your understanding of the concept of the ‘Atlantic World’ and theories of local, national and global cultures as well as theories of race and postcolonial theory. You will be encouraged to recognise the activity of the slave trade as the beginning point of the Atlantic World as an imagined space that challenges national and chronological boundaries and speaks of the powerful and enduring legacies of slavery.

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EL6020 -

Boxing with Byron: Romanticism and Popular Culture (Optional,20 Credits)

The Romantic period (1789-1832) was a time of revolutionary change in literature, yet the literature of the period is typically represented by a narrow list of elite poets. On this module you will learn about a much more diverse range of writing: by men and women, by the poor and the rich, and taking in styles from satirical poetry, to advertising, to magazine fiction, to essays about opium addiction. Is there a distinction between ‘high’ and ‘popular’ culture, and who gets to decide the answer? This was a question the Romantics asked, and it is one you will learn to answer. You will also learn to investigate the diverse range of literature produced in the period yourself by using e-resources to find texts from the period that you think are valuable. You will develop an enhanced knowledge of the literature and culture of the period and as a result you will learn to question the way that literary critics tell stories about who and what should count in literary history.

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EL6021 -

Shaking up Shakespeare (Optional,20 Credits)

This module develops your awareness and understanding of post-Renaissance adaptations and appropriations of Shakespeare’s work, from the seventeenth century to the present day. It engages with Shakespearean adaptations belonging to different literary genres (in particular, drama and prose fiction) and different media (written texts, films). It examines the ways in which selected Shakespearean texts are transformed in subsequent adaptations, and the issues underpinning these transformations, especially those concerning race, gender, and class. It also engages with theoretical debates surrounding authorship, literary value, canonicity, and popular/high culture.

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EL6042 -

Postwar US Writing (Optional,20 Credits)

This module will enhance your understanding of postwar American literary culture in its broader social, political, and
economic contexts. Mid-century America was a time of profound contradictions: while US citizens lived under the shadow the bomb, many experienced unprecedented economic prosperity and access to new material comforts. We will explore how national paranoia
about the spread of communism and the nuclear arms race sat alongside – and fed into – the postwar image of the American ‘good life’, an image of suburban conformity underpinned by the growth of advertising and consumer culture. We will consider how postwar fiction and poetry challenges this demand for conformity in both content and form: through its complex representations of the American cold war experience and its innovative narrative and poetic strategies. The texts on this module offer insights into postwar attitudes towards a diverse range of topics, including national and international politics, work, leisure, and domesticity, gender and sexuality, and race and ethnicity.

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EL6045 -

Political Theatre in Early Modern Britain (Optional,20 Credits)

People thought and wrote about politics a lot in the early modern period. Just like today, lives and livelihoods hinged upon the attitudes, loyalties and alliances of those in power – and the theatre was a convenient and accessible place to think about (and sometimes to poke fun at) political figureheads and their ideologies. Also, because men like William Shakespeare and Ben Jonson were, effectively, on the payroll of some of England’s wealthiest and most powerful men and women, their dramatic writings often carried distinct political agendas. Monarchs like Queen Elizabeth I and James VI/I were passionate about literature, and London’s best playwrights and acting companies were employed during their lavish coronation processions – and invited to perform at court during annual festivities. Drama from this period was not only influenced by politics, moreover, it had influential political clout, in and of itself. The theatre explored, explained, critiqued, and shaped political attitudes and ideas – at every level of society.

Building on your reading of early modern authors at levels 4 and 5 in early modern literature, this module will challenge you to read a range of Tudor and Jacobean plays in relation to political change, scandal, and satire. You will develop a specialised understanding of the relationship between literature and politics, and a detailed knowledge of the early modern period’s tumultuous social and religious contexts.

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EL6047 -

Twenty First Century Literature: Writing in the Present (Optional,20 Credits)

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

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EL6053 -

Writing Women: Aphra Behn in Focus (Optional,20 Credits)

This module explores the writings of the first professional woman writer in England, Aphra Behn (d. 1689). Biographically, Behn remains something of an enigma. We know little about her personal life, and some of our earliest records of her relate to her work as a Continental spy for Charles II. Yet Behn is one of the most important writers of the late seventeenth century. She contributed to many genres of literature (poetry, drama, translation and prose), she was the second most prolific dramatist of her age, and she authored the first English novel. Behn was a transformative and innovative author, deeply engaged with questions of gender and self-aware, in her writings, of her status as a female author in a male profession.
On this module we will read a selection of Behn’s writings, exploring their relationship to her contemporary writers, Behn’s historical moment and the broader development of literature. We will also explore the complex reception history of Behn’s work, thinking about why she disappeared from the literary canon within decades of her death, only to be rediscovered by feminist and postcolonial scholars from the 1970s and 80s. In studying Behn’s changing status as a literary author, and by reading her work, students will learn about a key moment (the 1670s-80s) in the development of the literary marketplace, whilst developing an appreciation of the ways in which gender concerns have affected access to Behn’s literature, as well as shaped (and, at times, limited) our understanding of its wider importance.
Today, Behn is much-studied and there are numerous scholarly editions of her writings. Yet there is still much we have yet to properly understand about her writings, and Behn studies are as vibrant and diverse as ever. Recent years have seen a renewed energy in Behn scholarship that seeks to understand her writings beyond their significance to gender studies, with scholars showing how Behn’s writings engage with the burning issues of the day: marital law; monarchy; philosophy; politics; science; sexuality; slavery.

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EL6055 -

Writing and Environment (Optional,20 Credits)

You will study a selection of texts, written from the eighteenth century to the present day, that engage with the natural environment in various ways. These include natural histories and popular science, pastoral and environmental poems, environmental protest literature, apocalyptic novels, and the ‘new nature writing’. You will learn how literary writers describe the world around them and how they use the natural world to articulate their own personal needs, feelings, and desires. You will study texts that draw attention both to natural beauty and to environmental catastrophe. You will learn how writers as diverse as Gilbert White, William Wordsworth, Charles Darwin, Rachel Carson, and Robert Macfarlane have changed the ways in which readers engage with the world around them. As part of your studies, you will learn to produce your own literary engagement with the natural world in a ‘creative field journal’, inspired by the writings of Charles Darwin, Robert Macfarlane, Amy Liptrott, and others. By the end of the module, you will have gained a sophisticated understanding not only of the ways that writers can change the world, but also how they can save it.

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EL6057 -

Thieves, Harlots, Pirates, Murderers: Criminal Lives in the Long Eighteenth Century (Optional,20 Credits)

The eighteenth century is often considered the ‘age of politeness’, a new enlightened age of material wealth, refinement, global trade and luxury, urban order and civility, and polished manners. However, the major changes that brought such refinement and wealth to British society also brought with them disruption, poverty, violence, and crime and a period of adjustment to modern commercial realities and pressures. This module will introduce students to eighteenth-century Britain’s underbelly of crime, through the lives of criminals who, reviled and celebrated in news, popular culture, and literature, were always the focus of public fasincation.

On this module, we will use a variety of media, including criminal biographies, novels, plays, poems, newspaper reports, pamphlets, legal records, art and visual culture, and film/TV adaptations, in order to explore the social, political, and cultural meanings encoded in the lives of criminals in eighteenth-century Britain and the countries to which its global trade reached. We will consider the ways in which criminal figures were represented and continue to be represented today, as well as the implications of these representations in terms of ideas about crime, social class, gender, regional and national identity, race, and culture.

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YC5001 -

Academic Language Skills for Humanities and Social Sciences (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

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Modules

Module information is indicative and is reviewed annually therefore may be subject to change. Applicants will be informed if there are any changes.

EL4001 -

Introduction to Literary Studies (Core,20 Credits)

You will be given the opportunity to familiarise yourself with conceptual issues such as canonicity, the unconscious, the tragic, the nature of the author, gender and postmodernity. Lectures will introduce you to these concepts and modes of applying these to literary texts as well as introducing you to new material in the texts themselves. Seminars will follow the lectures, where you will discuss and explore with your tutor and with your fellow students both the texts and their historical and theoretical contexts.

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EL4003 -

Representing the US: From Slavery to Terrorism (Core,20 Credits)

This module focusses on US literature, film and television and it asks you to think about US culture at large; it will introduce you to a range of significant US texts from the nineteenth century to the present. You will make connections between diverse texts ranging from writings of slaves in the nineteenth century to fiction that responds to the trauma of the 9/11 terrorist attacks. You will enjoy US literature, film and television across a range of periods – work from the nineteenth, twentieth and twenty-first centuries will be covered – and you will examine fiction, poetry, drama, film, and television in relation to the idea of a national literary canon and in the context of social and political change, from the Civil War to the War on Terror. As a survey module, it encourages you to examine how key works engage with questions of identity, slavery, the American Dream, trauma, freedom, and national security.

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EL4004 -

Reading Poetry (Core,20 Credits)

This module encourages you to read and enjoy poetry whilst also developing your understanding of how figurative language, linguistic choice and formal technique work to produce the meanings that we derive from poetry. The module is structured to help you develop competence in close reading of literary texts and to increase your familiarity with the critical vocabulary that will enable you to discuss and analyse poetic language in an informed manner. You will also be encouraged to increase your awareness of the diverse nature of poetic composition and to recognise the importance of genre, context and form in the reading of poetic language. Working on the principle that close reading is an essential part of critical analysis of any text, the module provides a foundation for all subsequent elements of your studies in English Literature. Moreover, because these skills in understanding poetry are an essential first step in creating it, the module seeks to foster an understanding of the creative process that will improve your familiarity with poetic technique and thus help to develop your creative skills. The module elides the gap between the creative and critical spheres and in so doing enrich both.

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EL4006 -

Concepts in Criticism and Culture (Core,20 Credits)

This module introduces you to literary studies at university, past and present. You will learn how the formation of (English) Literature as a degree subject played into approaches to the study of literature from the early twentieth century, and still influence popular understandings of what it is we (lecturers and students) really do when we ‘study literature’. Early discussions will include case studies to help explain some of the debates about the nature of literary studies. We will then work with a text that has been labelled as ‘canonical’ (e.g. Shakespeare’s Hamlet) to critique the concept of canonicity and ask what it is we do when we go ‘beyond the basics’ of textual engagement. That text will then become the central point of reference across the rest of the module, as we investigate different theoretical and critical approaches.

During the module you will be asked to read a range of critical essays, discussing them in individually and in relation to each other. The module aims to foster your skills in close textual analysis, informed by key theoretical perspectives and independent reflective practice.

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EL4016 -

Talking Texts (Core,20 Credits)

This module offers students a forum to develop academic skills in close reading and analysis. A range of texts are examined within a reading-focussed workshop, including: the novel, short stories, poetry, plays, journalism, academic essays and online media such as blogs and flash fiction. Students are exposed to a range of writing in order to consider and develop their own reading practices. The discursive workshops develop speaking, listening, and critical skills through participation in classroom activities. The module prepares students for work at degree level, encouraging them to become independent learners in a supportive environment.

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EL4017 -

Gothic Stories: Nineteenth Century to the Present (Core,20 Credits)

In this module you will be given the opportunity to study a range of gothic texts from the nineteenth century to the contemporary period. This will provide you with the opportunity to explore the conventions of the genre as well as some of the ways in which gothic writing reflects and/or questions assumptions about race, gender, social class and sexuality. You will learn about the cultural significance of many familiar gothic motifs and figures such as ghosts, uncanny doubles, haunted houses and vampires.

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YC5001 -

Academic Language Skills for Humanities and Social Sciences (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

More information

AD5012 -

Humanities Study Abroad (40 credit) (Optional,40 Credits)

The Study Abroad module is a semester based 40 credit module which is available on degree courses which facilitate study abroad within the programme. You will undertake a semester of study abroadat an approved partner University elsewhere. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be constructed to meet the learning outcomes for the programme for the semester in question, dependent on suitable modules from the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). The module will be assessed by conversion of graded marks from the host University.

Learning outcomes on the year-long modules on which the student is unable to attend the home institution must be met at the host institution, and marks from the host are incorporated into the modules as part of the overall assessment.

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EL5003 -

Early Modern Cultures (Core,20 Credits)

On this module you will learn to read texts written in the period 1500-1700 historically. Lectures and seminars will encourage you to learn about the early modern period, and to situate texts by authors such as William Shakespeare, Christopher Marlowe, Thomas More, and Philip Sidney. You will learn about poetry, prose, and drama – situating literary genres from the period in relation to themes that include: class, race, sexuality, politics, authority, gender, and ideas of literary production itself. Lectures will trace the afterlives of some of the most influential texts ever written, and will encourage you to read these textual traditions in light of a range of western literary ideologies.

Building upon work completed at Level 4 on early modern authors like Shakespeare and Donne, this module offers students a more comprehensive survey of the early modern period. Encouraging students to read literature historically, Early Modern Cultures fosters key skills in tutor-led and independent reading and research that will complement a range of studies at level 6.

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EL5004 -

Modernism and Modernity (Core,20 Credits)

Through this module you will gain an understanding of the relation between literary modernism and modernity in the early part of the twentieth century. The module provides you with conceptual and historical frameworks for understanding the relation between art and social life. It gives you an opportunity to engage with the ways in which different literary genres prompted modernist experiments in form and with the various debates taking place between literary critics, writers, philosophers and cultural historians in early-twentieth-century Britain and the USA.

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EL5005 -

Geneses of English Literature (Optional,20 Credits)

What are the mythological frameworks of western culture, and how have they influenced and informed literary texts? This module will introduce you to poems, plays, and novels which adapt classical and biblical narratives – including mythologies of ‘genesis’ (Eden, Troy), ‘metamorphosis’ (Actaeon, Christ), and ‘underworlds’ (Orpheus and Eurydice, Satan) – unpacking and analysing some of the most central narratives of British and American literature. Using cultural theory relevant to appropriation studies, you will learn how to locate and analyse classical and biblical narratives in literary texts in meaningful ways. Reading beyond literature, you will also learn about how these narratives are employed in popular music, film, television, advertising, and wider popular cultures.

Building upon work completed at Level 4 in narrative and appropriation studies on modules such as EL4006 ‘Concepts in Criticism and Culture’, this module offers you a more focused and in depth opportunity to read core narrative and mythology ‘types’ in a range of twentieth and twenty-first century texts. The module fosters key skills in textual analysis, and your tutor-led and independent reading and research tasks will supplement and support learning at Level 6.

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EL5006 -

Poetry: Tradition and Experiment (Optional,20 Credits)

In this module you will focus on key moments in the development of poetic theory and practice, from the early modern period to the present day. In this module you will examine poems as sites at which tradition and experiment collide and intertwine. Through the close analysis of a small number of individual poems by ground-breaking poets, you will develop your understanding of the dynamic relationship between poetic form and content. In doing so, you will reflect upon and interrogate the complex ways in which poetic texts engage with, and intervene in, broader cultural debates about nation, class, race, and gender. You will consider how the evolution of poetry and poetics coalesces with questions of aesthetics and ideology.

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EL5007 -

Literature and Identity (Optional,20 Credits)

On this module you will explore the concept of identity in relation to literary texts across a range of periods and genres and in relation to contemporary debates around identity politics and the so-called culture wars. The module will address the relationship between identity and literary representation, drawing on approaches that might include intersectionality, narrative theory and gender studies. You will be encouraged to consider how literary texts participate in the representation and production of gendered, racial, national, sexual, post-colonial and other identities and their discussion and perception in the public sphere, from the classroom to the media. The module will extend your understanding of to the links between literary texts and real-world cultural, social and political debates, preparing you for the study of contemporary literature modules at Level 6.

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EL5010 -

Historical Fiction (Optional,20 Credits)

What is historical fiction? When and why did historical fiction begin to be written? How have later writers of historical fiction built on or surpassed early forms of historical fiction? What did or does historical fiction tell us about the world we live in? This module addresses these questions, with a survey of historical fiction from its origins in the 19th century to its varied forms in the 21st century. You will learn to contextualise each historical novel in relation to the conflicts and strains of the period in which it was made and consumed, while also thinking about the relations between writing, gender, religion, and politics, issues of literary influence, and the function of art in times of crisis, past and present.

Building on your work correlating the historical novel and short story at Level 4 (Wide Sargasso Sea by Jean Rhys and ‘The Love of a Good Woman’ by Alice Munro), and prefiguring your extended writing work for the dissertation and on Level 6 modules, this module will develop your understanding of historical fiction as a literary genre. This will involve looking at its origins with Walter Scott’s 12th Century Medieval Romance and Folklore and then moving to the Tudors, the French Revolution, the Victorian Era and the Black British history after the Second World War. You will be examining close links between fictional re-imaginings of the past and issues surrounding changing national identities and popular memory. Finally you will be exploring the relationship between the historical novel and a range of other subgenres such as fantasy, social realism, postmodernism, romance, psychoanalysis, the Gothic, biography, spiritualism, detective fiction and postcolonialism.

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EL5026 -

Literary Revolutions, Eighteenth Century to Romanticism (Core,20 Credits)

In this module you will study a range of texts from the eighteenth century to the Romantic period. The module considers a period in which literature and culture witnessed a succession of revolutionary changes. The novel emerged as a new form; female writers and readers took on a new prominence; the print market expanded enormously; and writers responded to the seismic changes in society caused by a period of war, imperial expansion, and political and social revolution. You will study a diverse and unusual range of texts that emerged from this period, and learn how to link the texts to the period’s context.

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EL5029 -

Literature in the Museum: Working in the Heritage Sector (Optional,20 Credits)

This module aims to broaden your awareness of the professional opportunities in the Arts and Heritage sectors open to those with a degree in English literature, drawing upon departmental expertise in working within the professional cultural and heritage sectors. The module will provide a solid grounding in the interdisciplinary nature of literary studies, and instruct you in the practical application of literary knowledge in a professional environment. It will teach key organisational skills involved in managing a project which you will be able to draw on in writing your third-year dissertation. Over the course of the academic year you will be introduced to key theoretical ideas involved in working on literature-related projects in the culture and heritage sectors; the relationship between literature & the visual arts, literature & place/heritage sites and literature & archives/collections/digital resources.

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ML5001 -

Unilang - Languages for all - Level 5 Placeholder (Optional,20 Credits)

The 20-credit yearlong Unilang modules (stages 1 – 5 depending on language) aim to encourage a positive attitude to language learning and to develop and practise the four language skills of speaking, listening, reading and writing introducing the basic/increasingly complex grammatical structures and vocabulary of the spoken and written language (depending on stage) and developing your ability to respond appropriately in the foreign language in spoken and written form in simple and increasingly complex everyday situations.

These modules also introduce you to the country and the culture of the country. In doing this, Unilang modules are intended to encourage and support international mobility; to enhance employability at home and abroad; to improve communication skills in the foreign language as well as English; to improve cultural awareness and, at the higher stages, to encourage access to foreign sources.

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TE5507 -

Student Tutoring (Optional,20 Credits)

You will learn how to be a tutor of students in schools or colleges. You will develop your skills in communicating effectively with children or young people. As part of this process you will learn how to evaluate your own learning of how to support these pupils’ learning over a series of lessons. You will be learning how to transmit your own enthusiasm for learning in a professional context to pupils within the schooling system. You will learn about the issues facing teachers and other professionals within the school, college or learning centre. Learning how to apply your existing skills and knowledge in a work related context will be an important focus of this module for you. Knowing how to determine which skills and knowledge are relevant, and make appropriate use of these in the work context, will be a major learning opportunity for you.

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AD5009 -

Humanities Work Placement Year (Optional,120 Credits)

The Work Placement Year module is a 120 credit year-long module available on degree courses which include a work placement year, taken as an additional year of study at level 5 and before level 6 (the length of the placement(s) will be determined by your programme but it can be no less than 30 weeks. You will undertake a guided work placement at a host organisation. This is a Pass/Fail module and so does not contribute to classification. When taken and passed, however, the Placement Year is recognised in your transcript as a 120 credit Work Placement Module and on your degree certificate in the format – “Degree title (with Work Placement Year)”. The learning and teaching on your placement will be recorded in the work placement agreement signed by the placement provider, the student, and the University.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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AD5010 -

Humanities Study Abroad Year (Optional,120 Credits)

The Study Abroad Year module is a full year 120 credit module which is available on degree courses which include a study abroad year which is taken as an additional year of study at level 5 and before level 6. You will undertake a year abroad at a partner university equivalent to 120 UK credits. This gives you access to modules from your discipline taught in a different learning culture and so broadens your overall experience of learning. The course of study abroad will be dependent on the partner and will be recorded for an individual student on the learning agreement signed by the host University, the student, and the home University (Northumbria). Your study abroad year will be assessed on a pass/fail basis. It will not count towards your final degree classification but, if you pass, it is recognised in your transcript as a 120 credit Study Abroad Module and on your degree certificate in the format – “Degree title (with Study Abroad Year)”.

Note: Subject to placement clearance; this is a competitive process and a place on the module cannot be guaranteed.

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EL6001 -

English Dissertation (Core,40 Credits)

In your third year you will be ready to become an independent thinker and researcher. The dissertation is your opportunity to research and write a substantial investigation of a topic that you are really passionate about. Your tutors will support you as you learn how to work independently and to manage a large project. You will also learn project-management, research, presentation and writing skills. You will learn to be self-motivated and independent. By the end of the module you will have produced a major piece of work that you can be proud of, and you will be ready to continue as an independent thinker in further study or in the graduate job you go on to at the end of your third year.

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EL6004 -

Vamps and Virgins: Gothic Sexualities (Optional,20 Credits)

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

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EL6018 -

The Black Atlantic: Literature, Slavery and Race (Optional,20 Credits)

This module will introduce you to a range of texts which have been created out of, or about, the experience of African peoples in the diaspora from the seventeenth century to the present. It will encourage you to relate your understanding of the texts to the cultural and historical background from which they developed. Following on from level four core modules this module will develop your understanding of the concept of the ‘Atlantic World’ and theories of local, national and global cultures as well as theories of race and postcolonial theory. You will be encouraged to recognise the activity of the slave trade as the beginning point of the Atlantic World as an imagined space that challenges national and chronological boundaries and speaks of the powerful and enduring legacies of slavery.

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EL6020 -

Boxing with Byron: Romanticism and Popular Culture (Optional,20 Credits)

The Romantic period (1789-1832) was a time of revolutionary change in literature, yet the literature of the period is typically represented by a narrow list of elite poets. On this module you will learn about a much more diverse range of writing: by men and women, by the poor and the rich, and taking in styles from satirical poetry, to advertising, to magazine fiction, to essays about opium addiction. Is there a distinction between ‘high’ and ‘popular’ culture, and who gets to decide the answer? This was a question the Romantics asked, and it is one you will learn to answer. You will also learn to investigate the diverse range of literature produced in the period yourself by using e-resources to find texts from the period that you think are valuable. You will develop an enhanced knowledge of the literature and culture of the period and as a result you will learn to question the way that literary critics tell stories about who and what should count in literary history.

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EL6021 -

Shaking up Shakespeare (Optional,20 Credits)

This module develops your awareness and understanding of post-Renaissance adaptations and appropriations of Shakespeare’s work, from the seventeenth century to the present day. It engages with Shakespearean adaptations belonging to different literary genres (in particular, drama and prose fiction) and different media (written texts, films). It examines the ways in which selected Shakespearean texts are transformed in subsequent adaptations, and the issues underpinning these transformations, especially those concerning race, gender, and class. It also engages with theoretical debates surrounding authorship, literary value, canonicity, and popular/high culture.

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EL6042 -

Postwar US Writing (Optional,20 Credits)

This module will enhance your understanding of postwar American literary culture in its broader social, political, and
economic contexts. Mid-century America was a time of profound contradictions: while US citizens lived under the shadow the bomb, many experienced unprecedented economic prosperity and access to new material comforts. We will explore how national paranoia
about the spread of communism and the nuclear arms race sat alongside – and fed into – the postwar image of the American ‘good life’, an image of suburban conformity underpinned by the growth of advertising and consumer culture. We will consider how postwar fiction and poetry challenges this demand for conformity in both content and form: through its complex representations of the American cold war experience and its innovative narrative and poetic strategies. The texts on this module offer insights into postwar attitudes towards a diverse range of topics, including national and international politics, work, leisure, and domesticity, gender and sexuality, and race and ethnicity.

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EL6045 -

Political Theatre in Early Modern Britain (Optional,20 Credits)

People thought and wrote about politics a lot in the early modern period. Just like today, lives and livelihoods hinged upon the attitudes, loyalties and alliances of those in power – and the theatre was a convenient and accessible place to think about (and sometimes to poke fun at) political figureheads and their ideologies. Also, because men like William Shakespeare and Ben Jonson were, effectively, on the payroll of some of England’s wealthiest and most powerful men and women, their dramatic writings often carried distinct political agendas. Monarchs like Queen Elizabeth I and James VI/I were passionate about literature, and London’s best playwrights and acting companies were employed during their lavish coronation processions – and invited to perform at court during annual festivities. Drama from this period was not only influenced by politics, moreover, it had influential political clout, in and of itself. The theatre explored, explained, critiqued, and shaped political attitudes and ideas – at every level of society.

Building on your reading of early modern authors at levels 4 and 5 in early modern literature, this module will challenge you to read a range of Tudor and Jacobean plays in relation to political change, scandal, and satire. You will develop a specialised understanding of the relationship between literature and politics, and a detailed knowledge of the early modern period’s tumultuous social and religious contexts.

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EL6047 -

Twenty First Century Literature: Writing in the Present (Optional,20 Credits)

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

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EL6053 -

Writing Women: Aphra Behn in Focus (Optional,20 Credits)

This module explores the writings of the first professional woman writer in England, Aphra Behn (d. 1689). Biographically, Behn remains something of an enigma. We know little about her personal life, and some of our earliest records of her relate to her work as a Continental spy for Charles II. Yet Behn is one of the most important writers of the late seventeenth century. She contributed to many genres of literature (poetry, drama, translation and prose), she was the second most prolific dramatist of her age, and she authored the first English novel. Behn was a transformative and innovative author, deeply engaged with questions of gender and self-aware, in her writings, of her status as a female author in a male profession.
On this module we will read a selection of Behn’s writings, exploring their relationship to her contemporary writers, Behn’s historical moment and the broader development of literature. We will also explore the complex reception history of Behn’s work, thinking about why she disappeared from the literary canon within decades of her death, only to be rediscovered by feminist and postcolonial scholars from the 1970s and 80s. In studying Behn’s changing status as a literary author, and by reading her work, students will learn about a key moment (the 1670s-80s) in the development of the literary marketplace, whilst developing an appreciation of the ways in which gender concerns have affected access to Behn’s literature, as well as shaped (and, at times, limited) our understanding of its wider importance.
Today, Behn is much-studied and there are numerous scholarly editions of her writings. Yet there is still much we have yet to properly understand about her writings, and Behn studies are as vibrant and diverse as ever. Recent years have seen a renewed energy in Behn scholarship that seeks to understand her writings beyond their significance to gender studies, with scholars showing how Behn’s writings engage with the burning issues of the day: marital law; monarchy; philosophy; politics; science; sexuality; slavery.

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EL6055 -

Writing and Environment (Optional,20 Credits)

You will study a selection of texts, written from the eighteenth century to the present day, that engage with the natural environment in various ways. These include natural histories and popular science, pastoral and environmental poems, environmental protest literature, apocalyptic novels, and the ‘new nature writing’. You will learn how literary writers describe the world around them and how they use the natural world to articulate their own personal needs, feelings, and desires. You will study texts that draw attention both to natural beauty and to environmental catastrophe. You will learn how writers as diverse as Gilbert White, William Wordsworth, Charles Darwin, Rachel Carson, and Robert Macfarlane have changed the ways in which readers engage with the world around them. As part of your studies, you will learn to produce your own literary engagement with the natural world in a ‘creative field journal’, inspired by the writings of Charles Darwin, Robert Macfarlane, Amy Liptrott, and others. By the end of the module, you will have gained a sophisticated understanding not only of the ways that writers can change the world, but also how they can save it.

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EL6057 -

Thieves, Harlots, Pirates, Murderers: Criminal Lives in the Long Eighteenth Century (Optional,20 Credits)

The eighteenth century is often considered the ‘age of politeness’, a new enlightened age of material wealth, refinement, global trade and luxury, urban order and civility, and polished manners. However, the major changes that brought such refinement and wealth to British society also brought with them disruption, poverty, violence, and crime and a period of adjustment to modern commercial realities and pressures. This module will introduce students to eighteenth-century Britain’s underbelly of crime, through the lives of criminals who, reviled and celebrated in news, popular culture, and literature, were always the focus of public fasincation.

On this module, we will use a variety of media, including criminal biographies, novels, plays, poems, newspaper reports, pamphlets, legal records, art and visual culture, and film/TV adaptations, in order to explore the social, political, and cultural meanings encoded in the lives of criminals in eighteenth-century Britain and the countries to which its global trade reached. We will consider the ways in which criminal figures were represented and continue to be represented today, as well as the implications of these representations in terms of ideas about crime, social class, gender, regional and national identity, race, and culture.

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YC5001 -

Academic Language Skills for Humanities and Social Sciences (Core – for International and EU students only,0 Credits)

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.

More information

To start your application, simply select the month you would like to start your course.

English Literature BA (Hons)

Home or EU applicants please apply through UCAS

International applicants please apply using the links below

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Masters Study

Masters study will take you and your skills to the next level. Whether you want to get the real world experience you need to progress in your career or the research skills you need to drive the direction of your discipline...

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NU World Virtual Tours
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Virtual Tour

Get an insight into life at Northumbria at the click of a button! Come and explore our videos and 360 panoramas to immerse yourself in our campuses and get a feel for what it is like studying here using our interactive virtual tour.

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