English Literature and History BA (Hons)

The US is a paradox when it comes to nature: it is both the country that invented the national park concept and the biggest carbon dioxide emitter historically; it was the first country to celebrate Earth Day in 1970, but it is also where the hyper consumerist lifestyle first emerged; it is the birthplace of some of the oldest and most important environmental NGOs and of climate denial. How can we make sense of the US and its relationship to nature? Are Americans doomed to destroy the natural wonders of their nation? Can we envision a red, white and green nation that would put science and technology at the service of sustainability and environmental justice?

The module will answer these questions by examining the US’ complicated relationship to nature chronologically. In doing so, we will re-examine and challenge conventional narratives of US history by integrating the role of nature as a historical actor in its own right. Examples of themes covered include: nature and conquest; Native American environments; nature and technology; the wilderness myth; animals in US history; environmental disasters; urban nature; the rise of environmentalism; environmental justice and environmental racism; waste and pollution; toxicities, etc.

The module will approach these themes using the tools of the environmental humanities. Combining historical, visual and literary analysis with insights from ecology and other ‘hard’ sciences, we will achieve a thorough understanding of environmental phenomena in their full complexity.

From Samuel Taylor Coleridge’s Christabel (1816) to Alan Ball’s True Blood (2008-), this module invites you to explore the dark, shadowy world of the Gothic in relation to a diverse range of literary texts and modern media. Combining the study of familiar canonical fictions with new and challenging material, we will train our focus on the enigmatic figure of the vampire, examining its various transitions and developments through the lens of critical and cultural theory.

Through an analysis of the Gothic, the module aims to develop your critical thinking, as well as your existing knowledge of literature, film, and television dating from 1816 to the present day. In doing so, it will encourage you to reflect on and interrogate the complex ways in which Gothic texts engage with, and intervene in, broader cultural debates about gender and sexuality.

This module will introduce you to a range of texts which have been created out of, or about, the experience of African peoples in the diaspora from the seventeenth century to the present. It will encourage you to relate your understanding of the texts to the cultural and historical background from which they developed. Following on from level four core modules this module will develop your understanding of the concept of the ‘Atlantic World’ and theories of local, national and global cultures as well as theories of race and postcolonial theory. You will be encouraged to recognise the activity of the slave trade as the beginning point of the Atlantic World as an imagined space that challenges national and chronological boundaries and speaks of the powerful and enduring legacies of slavery.

The Romantic period (1789-1832) was a time of revolutionary change in literature, yet the literature of the period is typically represented by a narrow list of elite poets. On this module you will learn about a much more diverse range of writing: by men and women, by the poor and the rich, and taking in styles from satirical poetry, to advertising, to magazine fiction, to essays about opium addiction. Is there a distinction between ‘high’ and ‘popular’ culture, and who gets to decide the answer? This was a question the Romantics asked, and it is one you will learn to answer. You will also learn to investigate the diverse range of literature produced in the period yourself by using e-resources to find texts from the period that you think are valuable. You will develop an enhanced knowledge of the literature and culture of the period and as a result you will learn to question the way that literary critics tell stories about who and what should count in literary history.

This module develops your awareness and understanding of post-Renaissance adaptations and appropriations of Shakespeare’s work, from the seventeenth century to the present day. It engages with Shakespearean adaptations belonging to different literary genres (in particular, drama and prose fiction) and different media (written texts, films). It examines the ways in which selected Shakespearean texts are transformed in subsequent adaptations, and the issues underpinning these transformations, especially those concerning race, gender, and class. It also engages with theoretical debates surrounding authorship, literary value, canonicity, and popular/high culture.

This module will enhance your understanding of postwar American literary culture in its broader social, political, and
economic contexts. Mid-century America was a time of profound contradictions: while US citizens lived under the shadow the bomb, many experienced unprecedented economic prosperity and access to new material comforts. We will explore how national paranoia
about the spread of communism and the nuclear arms race sat alongside – and fed into – the postwar image of the American ‘good life’, an image of suburban conformity underpinned by the growth of advertising and consumer culture. We will consider how postwar fiction and poetry challenges this demand for conformity in both content and form: through its complex representations of the American cold war experience and its innovative narrative and poetic strategies. The texts on this module offer insights into postwar attitudes towards a diverse range of topics, including national and international politics, work, leisure, and domesticity, gender and sexuality, and race and ethnicity.

People thought and wrote about politics a lot in the early modern period. Just like today, lives and livelihoods hinged upon the attitudes, loyalties and alliances of those in power – and the theatre was a convenient and accessible place to think about (and sometimes to poke fun at) political figureheads and their ideologies. Also, because men like William Shakespeare and Ben Jonson were, effectively, on the payroll of some of England’s wealthiest and most powerful men and women, their dramatic writings often carried distinct political agendas. Monarchs like Queen Elizabeth I and James VI/I were passionate about literature, and London’s best playwrights and acting companies were employed during their lavish coronation processions – and invited to perform at court during annual festivities. Drama from this period was not only influenced by politics, moreover, it had influential political clout, in and of itself. The theatre explored, explained, critiqued, and shaped political attitudes and ideas – at every level of society.

Building on your reading of early modern authors at levels 4 and 5 in early modern literature, this module will challenge you to read a range of Tudor and Jacobean plays in relation to political change, scandal, and satire. You will develop a specialised understanding of the relationship between literature and politics, and a detailed knowledge of the early modern period’s tumultuous social and religious contexts.

From Margaret Atwood’s The Handmaid’s Tale (1985) and its popular television adaptation (2017) to Yorgos Lanthimos’ film The Lobster (2015), this module invites you to explore a wide and diverse range of novels, short stories and other media in order to promote and analyse the study of contemporary theoretical debates on gender, love, the body and sexuality.

Through the theoretical lens of feminism, psychoanalysis, queer theory and postmodernism, the module aims to develop your critical thinking and your existing knowledge of literature, film and television, from 1985 to the present day. It will encourage you to explore the complex issues raised by diverse critical theory and close analysis of a range of late twentieth and twenty-first century literature, film and television adaptation. By doing so, you will reflect on the ways that twenty-first literature and other media engages with, interrogates and often offers alternative narratives on present debates about gender, love, the body and sexuality.

This module explores the writings of the first professional woman writer in England, Aphra Behn (d. 1689). Biographically, Behn remains something of an enigma. We know little about her personal life, and some of our earliest records of her relate to her work as a Continental spy for Charles II. Yet Behn is one of the most important writers of the late seventeenth century. She contributed to many genres of literature (poetry, drama, translation and prose), she was the second most prolific dramatist of her age, and she authored the first English novel. Behn was a transformative and innovative author, deeply engaged with questions of gender and self-aware, in her writings, of her status as a female author in a male profession.
On this module we will read a selection of Behn’s writings, exploring their relationship to her contemporary writers, Behn’s historical moment and the broader development of literature. We will also explore the complex reception history of Behn’s work, thinking about why she disappeared from the literary canon within decades of her death, only to be rediscovered by feminist and postcolonial scholars from the 1970s and 80s. In studying Behn’s changing status as a literary author, and by reading her work, students will learn about a key moment (the 1670s-80s) in the development of the literary marketplace, whilst developing an appreciation of the ways in which gender concerns have affected access to Behn’s literature, as well as shaped (and, at times, limited) our understanding of its wider importance.
Today, Behn is much-studied and there are numerous scholarly editions of her writings. Yet there is still much we have yet to properly understand about her writings, and Behn studies are as vibrant and diverse as ever. Recent years have seen a renewed energy in Behn scholarship that seeks to understand her writings beyond their significance to gender studies, with scholars showing how Behn’s writings engage with the burning issues of the day: marital law; monarchy; philosophy; politics; science; sexuality; slavery.

You will study a selection of texts, written from the eighteenth century to the present day, that engage with the natural environment in various ways. These include natural histories and popular science, pastoral and environmental poems, environmental protest literature, apocalyptic novels, and the ‘new nature writing’. You will learn how literary writers describe the world around them and how they use the natural world to articulate their own personal needs, feelings, and desires. You will study texts that draw attention both to natural beauty and to environmental catastrophe. You will learn how writers as diverse as Gilbert White, William Wordsworth, Charles Darwin, Rachel Carson, and Robert Macfarlane have changed the ways in which readers engage with the world around them. As part of your studies, you will learn to produce your own literary engagement with the natural world in a ‘creative field journal’, inspired by the writings of Charles Darwin, Robert Macfarlane, Amy Liptrott, and others. By the end of the module, you will have gained a sophisticated understanding not only of the ways that writers can change the world, but also how they can save it.

The eighteenth century is often considered the ‘age of politeness’, a new enlightened age of material wealth, refinement, global trade and luxury, urban order and civility, and polished manners. However, the major changes that brought such refinement and wealth to British society also brought with them disruption, poverty, violence, and crime and a period of adjustment to modern commercial realities and pressures. This module will introduce students to eighteenth-century Britain’s underbelly of crime, through the lives of criminals who, reviled and celebrated in news, popular culture, and literature, were always the focus of public fasincation.

On this module, we will use a variety of media, including criminal biographies, novels, plays, poems, newspaper reports, pamphlets, legal records, art and visual culture, and film/TV adaptations, in order to explore the social, political, and cultural meanings encoded in the lives of criminals in eighteenth-century Britain and the countries to which its global trade reached. We will consider the ways in which criminal figures were represented and continue to be represented today, as well as the implications of these representations in terms of ideas about crime, social class, gender, regional and national identity, race, and culture.

In this seminar-based module you will study the roots, trajectory, and legacies of the African American Freedom Struggle since 1945. Although the primary focus will be on the movement for racial justice in the US South between roughly 1954 and 1968, that history will be placed in longer chronological and broader national and international contexts. More specifically you will study the grass-roots activities of African Americans engaged in various forms of resistance and protest alongside the histories of the major civil rights groups – the National Association for the Advancement of Colored People (NAACP), the Southern Christian Leadership Conference (SCLC), the Student Non-Violent Coordinating Committee (SNCC), the Congress of Racial Equality (CORE). You will interrogate their tactics, examine their often fraught relationships with each other, and assess their achievements and failures in the face of widespread resistance to racial change. You will examine the contributions of the extraordinary ordinary people at the heart of the struggle, as well as those of nationally prominent leaders such as Martin Luther King. In this module you will also analyse the relationship between the civil rights movement and the federal government, address the role of the media and popular culture in shaping both the history and popular understandings of the post-war Freedom Struggle, and examine the international coordinates and impact of the struggles.

You will learn about the causes, events, and results of the U.S. Civil War, a war which took over 620,000 lives; the bloodiest in American history. The Civil War and its aftermath are considered the dividing line between early and modern US history. The War ended the South’s dominance of American politics. It also led to three major constitutional amendments which ended slavery, defined American citizenship, and provided for African American votes respectively which still have implications in American life in the 21st century. The course begins in 1850 by looking at American sectionalism and how and why that caused the founding of the Republican party and the eventual secession of eleven southern states. It then examines the military aspects of the war and explores its social, political, economic, and diplomatic effects. The end of the term will be spent on the political and social aspects of the post-War period known as ‘Reconstruction.’ It will explain how American national identity became redefined during this tumultuous time, especially in popular memory around public commemorations, art, literature and film. You will also analyse the controversial historiography of this period throughout the semester.

In this module you will learn how different scholars have conceptualised and written about women, crime and subversion from 1400 to 1800. You will assess and analyse why and how tensions in the early modern period meant that authorities across Europe directed their attention upon women in specific ways. The influence of the Protestant reformation is examined in terms of its impact upon female behaviour. Female criminality and subversive behaviour will be examined through a variety of theoretical and methodological approaches, including feminist and gender theories. Key concepts at the fore of this module include witchcraft, petty treason, infanticide, female piracy, prostitution, adultery and fornication, lesbianism, the crime of cross-dressing, and women’s strategies in European court systems. You will move beyond areas classified as criminal to behaviour considered as subversive and deviant, such as domestic disorder. You will utilize a wide range of primary sources including court records, the Old Bailey legal records, assize court records and female testimonies from across Europe which will equip you to think critically about academic literature, primary sources and historical interpretation.

The dissertation gives you the opportunity to work on a sustained piece of research of your own (guided) choice and to present that research in an organised and coherent form in a major piece of writing. The module will teach you how to function as an independent researcher, learner and writer. The dissertation represents the culmination of your studies as a Joint Honours student. You will apply the skills developed in your earlier studies to a discrete body of primary sources, working upon a clearly defined topic. In designing and implementing your research project, you will draw on insights and approaches from both of the disciplines that from part of your degree. The dissertation will develop your research skills and allow you to work independently, drawing on the advice and guidance of a designated supervisor.

You will learn about the origins, evolution and dynamics of one of Europe’s most recent – and deadly – intra-state conflicts. The ‘Troubles’ in Northern Ireland, 1968-98, was marked by their persistence and seeming intractability. With the paramilitary ceasefires in the 1990s, a new era opened; but difficulties remain in moving from a mere absence of violence to a genuine peace. You will examine the dynamics of violence and its impact on the politics and culture of Northern Ireland over a fifty year period, and the significant challenges posed to peace since the Good Friday Agreement of 1998.

This module examines the political, social and cultural history of Paris between 1815 and 1900. You will study different aspects of the history of nineteenth-century Paris – revolution, urban development, popular culture, and artistic life – through a range of primary sources, including contemporary artistic and literary representations of the city. You will assess and analyse the relationship between the city of Paris and political change during this period, with a particular focus on urban insurrection and revolution. You will also explore artistic movements such as Romanticism and Impressionism, as well as the rise of leisure and consumer culture and the urban development of the city, especially during the Second Empire (1852-1870). Throughout the module, you will investigate wider historical debates about urbanisation and the growth of the nineteenth-century European city. In looking at the history of nineteenth-century Paris – the ‘capital of the nineteenth century’, as the German theorist Walter Benjamin described it – from a range of perspectives, this module will enhance your knowledge and understanding of cultural and social approaches to history, and develop your ability to use interdisciplinary methodologies in your study of the past.

This module will appeal to anyone interested in telling stories. It will help you think about how your existing historical skills can be applied beyond university, while equipping you with experience of project management, team building, and working with a range of non-university stakeholders. This module gives students the opportunity to make their own short audio documentary. Students pitch, script, record, and edit their own documentaries using audio equipment and free, open-source, cross-platform audio software. Students will be given a broad theme (such as the 1970s and the Northeast of England) and will then generate a proposal and ‘pitch’ this to the class. Following selection, groups will then work on developing a script and identifying interviewees. Teams will produce their documentaries by dividing up the production responsibilities, so that students gain not only experience of teamwork but also of making a specific contribution to the project. Across the semester, the class will progress through the stages of pre- and post-production together week-by-week. Portable recording equipment will be made available and students will be (i) instructed on using industry-standard audio equipment; (ii) classes on ethics and oral history techniques; (ii) training on how to use editing software. At the same time, the class will both engage with relevant literature and listen to a range of audio documentary in order to better understand creative and production issues. The emphasis in this module will be both on the finished documentary but also on the process involved and the skills acquired along the way.

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In this module, you will explore the British male experiences of the First and Second World Wars, primarily through the lens of gender and masculinities. The module will examine the male experience in the broadest sense, looking not only at the experience of training, fighting and dying for Britain but also the experiences of various types of civilian men including those excluded from military service, civilian male workers and civil defence volunteers. The module will also examine the after effects of warfare by considering the experiences of those men who returned from war mentally and physically damaged as well as exploring the cultural legacies of the two world wars in Britain. This is a cutting-edge area of historical research. Therefore, you will be engaging with a growing and developing set of historical debates and ideas. Moreover, you will deal with a wide variety of primary materials including state propaganda, film, radio broadcasts, oral testimony, diaries, memoirs and archival material. This will equip you to think critically about both historiography and primary sources.

Sometimes it can seem that concern about climate change and the broader environmental crisis is a recent phenomenon whose effects are largely felt in other parts of the world. This module challenges these assumptions. You will learn about the origins of these concerns in their British context through five environmental disasters that shaped Britain after the Second World War. They are the devastating east coast floods of 1953, the collapse of the spoil heap onto a school at Aberfan in Wales in 1966, the wrecking of the Torrey Canyon, an oil tanker, off the Cornish coast in 1967, the near-extinction of birds of prey as a consequence chemical pesticides in the 1950s and 60s, and the hurricane that caused widespread destruction to woods and forests in 1987. You will spend two weeks on each of these case studies. The first week will focus on the event itself and its human and non-human causes and costs. The second week will focus on the event’s long-term political, social, and cultural consequences. Among the questions you’ll consider are: How did public opinion and the media respond to these disasters? What short and long-term effects did they have on government policy? In what ways did these disasters catalyse the development of the modern environmental movement? How has our understanding of what constitutes a natural disaster changed over time? You will learn about the historical development of theories of climate change and you will be able to contextualise historically the environmental crisis that is shaping political culture today and develop a greater understanding of why it is so difficult to agree on possible solutions.

This module explores a tumultuous period in Russian history when the pendulum swung from dictatorship towards increasing democracy and back again. Relatively freer politics and loosening of controls over the media were accompanied by economic dislocation and social instability under Gorbachev and Yeltsin, while conversely, the Putin era saw improved economic performance, stability and some restoration of order alongside the return of a creeping authoritarianism in politics and tighter censorship. Students will investigate why the Soviet regime, which ten years previously had seemed destined to last indefinitely, was so rapidly undermined. We will examine the political struggle that accompanied perestroika, as well as how official Soviet ideology unravelled under the impact of glasnost’ and the opening of public debate. The module considers Gorbachev’s government’s attempt to find economic solutions to stagnation and the disastrous effects of the collapse of faith in the command economy. Also, particular attention is paid to the role that nationalist movements in the Baltic, Ukraine, Transcaucasia and Central Asia played in tearing the Soviet system apart. The module then turns to Russia’s turbulent post-Soviet transition, the ‘Wild Years’, a dangerous and exciting period where, after the USSR legally ceased to exist on 31 December 1991, the new state, the Russian Federation, set off on the road to democracy and a market economy without any clear conception of how to complete such a transformation in the world’s largest country. As well as looking at Russia’s new political system, we will examine the economic reforms introduced as the country underwent ‘shock therapy’ to create a market economy, involving mass privatization, financial crisis, the rise of oligarchs. We will consider the devastating social impact of these policies, as life expectancy plummeted, birth rates collapsed and crime exploded. Students will assess how in these conditions Vladimir Putin, assumed power and explore how his presidency saw economic upswing and improvement in living standards but also a creeping authoritarianism in politics and media controls. Finally, we will investigate Putin’s cultivation of an aggressive, socially conservative Russian nationalism which grew from the shame and international humiliation derived from the catastrophic transition of the former superpower.

Being an early modern king could be dangerous. Over the course of the period, monarchs were executed, assassinated, and deposed. While Mary Queen of Scots and Charles I lost their heads, boy-king Louis XIV pretended to be asleep as the angry Parisian mob entered his bedroom during the Fronde and James I narrowly escaped being blown up by the Gunpowder Plot. Even if not resolved in loss of life or deposition, monarchical crises that gripped early modern Europe posed a significant challenge to royal authority and legitimacy. These moments of crisis were connected to the changing nature of royal power, redefined in clashes between monarchs and their subjects exacerbated by the Reformation, dynastic politics, the changing relationship between monarchs and nobles, the emerging concept of the state and new ideas about how it should be governed. Over the course of this module you will examine monarchical crises through case studies including the executions of Jane Grey and Mary Stuart, assassinations of Henri III and Henri IV, the English Civil War and Glorious Revolution, the Fronde, and the Defenestration of Prague and deposition of the Winter King, Frederick V. We will consider the causes, outcomes, and representations of these crises through a variety of sources, including pamphlets, chronicles, letters, and images. We will also consider the representation of these events in the modern media such as film, television, and fiction writing.

In this module, you will be provided with the skills to complete a written dissertation and a public-facing output on a topic that you will agree with your supervisors. The dissertation with public history represents an opportunity to apply the skills you have acquired at earlier levels, as well as a chance to develop new skills, both theoretical and practical, associated with public history. In Semester One you will produce the written piece of work. This written piece, which can take the form of a ‘short dissertation’ or ‘extended essay’, may be an analysis of a discrete body of primary sources, a discussion of historiographical controversy, or an intervention in a current debate about the public understanding of the past. In Semester Two you will work with your supervisors to produce a public output (the ‘knowledge exchange’ component), such as a digital exhibition or public history podcast, based on your research for the short dissertation/extended essay. The knowledge exchange aspect may include work with an external partner. The ‘Dissertation with public history’ is an exercise in research and public engagement and is intended to develop your research and communication skills, as well as your ability to work independently. Topics will be supervised by two appropriate tutors, one with subject-specific knowledge, the second with knowledge exchange experience.

In this module, we will consider how young people have responded to, and in some cases shaped, major episodes and developments in modern and contemporary history. In examining youth action, we will cover a variety of movements and campaigns. For example, we will discuss the role of communist and fascist youth organisations in the 1920s and 1930s as well as the involvement of students in anti-colonial and anti-racist struggles. Moreover, we will investigate youth politics in the Cold War, the impact of student protests in the 1960s as well as young people’s efforts to address issues such as gender equality or the fate of the environment.

The scope of the module is international, with examples that cover cases from Europe (France, Germany, Russia), Africa (Ghana, South Africa), Asia (China, Japan) and the Americas (Brazil, Mexico, the United States). We will pay particular attention to global aspirations and connections, as we will trace how young activists sought to build ties across national borders. Such efforts will also allow us to consider how various movements imagined and pursued the quest for a different world and a better future.

In this module you will learn how the world’s biggest democracy came into being, starting with the successful struggle for independence and going up to the 21st century. You will develop a broad understanding of India’s postcolonial politics, culture, economy and society. Using a diverse range of materials, you will analyse how the British Empire’s ‘Jewel in the Crown’ established itself as a postcolonial democratic republic amidst numerous obstacles, tensions and conflicts.

The first half of the module introduces you to the contemporary history of India through five episodes, which help us to understand key issues like decolonisation, secularism, corruption and liberalisation. The second half of the module considers six themes, exploring how these tell us different things about India in the second-half of the 20th century. Chronologically, the module begins with anti-colonial nationalism of Mahatma Gandhi and others, from around the 1930s onwards. The module then covers almost the entire period of independent India, from the creation of the republic and partition of the subcontinent in 1947, right up to 2019 – the year in which the current Hindu nationalist BJP government won a second consecutive landslide victory, marking for many the demise of India as a secular, multicultural democracy.

The second half of the module covers six major themes: Gender, Caste, Migration, Conflict, Communalism, and Environment. Exploring the recent history of India through these different lenses provides new angles for understanding the ‘world’s largest democracy’ from a range of diverse perspectives.

In this module you will discover how the histories of travel and tourism are deeply connected to the making of modern Britain and Ireland. You will explore the history of tourism from its eighteenth-century origins, when seaside towns and spas welcomed their first visitors and British and Irish aristocrats embarked on Grand Tours of Europe. You will learn how British and Irish landscapes were made iconic by Romantic writers, and how the development of steamships, railways, roads, bicycles, and motor travel revolutionised the way in which journeys were experienced and narrated.

You will discover how the royal tourism of Queen Victoria and her descendants helped strengthen the political union of the United Kingdom, and how the tourism industry forged cross-border links, promoted cooperation, and encouraged dialogue between Northern Ireland and the Irish Free State after the Partition of Ireland in 1921. You will also learn how tourism was connected to the expansion of the British Empire, as travellers on Thomas Cook’s tours followed missionaries, traders, and empire builders to the Middle East, Africa, and India. You will consider how Black British travellers have experienced city space and the countryside in different ways to their white counterparts, and the photography of Ingrid Pollard will prompt you to think about the relationship between race and national identity in Britain today.

You will learn about key concepts and debates in the history of tourism, such as mobility, authenticity, landscape and place, gender, post-colonialism, the interaction of ‘hosts’ and ‘guests’, and the growing importance of travel as part of individual and national identity. You will engage with a wide variety of primary source material, from personal travel accounts, guidebooks, and timetables to the rich visual and material culture of postcards, illustrations, paintings, photographs, and poster artwork.

Academic skills when studying away from your home country can differ due to cultural and language differences in teaching and assessment practices. This module is designed to support your transition in the use and practice of technical language and subject specific skills around assessments and teaching provision in your chosen subject. The overall aim of this module is to develop your abilities to read and study effectively for academic purposes; to develop your skills in analysing and using source material in seminars and academic writing and to develop your use and application of language and communications skills to a higher level.

The topics you will cover on the module include:

• Understanding assignment briefs and exam questions.
• Developing academic writing skills, including citation, paraphrasing, and summarising.
• Practising ‘critical reading’ and ‘critical writing’
• Planning and structuring academic assignments (e.g. essays, reports and presentations).
• Avoiding academic misconduct and gaining credit by using academic sources and referencing effectively.
• Listening skills for lectures.
• Speaking in seminar presentations.
• Presenting your ideas
• Giving discipline-related academic presentations, experiencing peer observation, and receiving formative feedback.
• Speed reading techniques.
• Developing self-reflection skills.